← Print file preflight — free DPI and print-size checker

What resolution do I need to print my artwork?

There is no answer that is a single number, and that is the whole difficulty. Print resolution is a ratio between the pixels you have and the inches you are spreading them across — so the same file is comfortably print-ready at one size and obviously short at another.

Check your own file — free, nothing is uploaded

The one piece of arithmetic

Implied DPI = pixels ÷ inches. A master that is 2400 × 3000 pixels is 300 DPI printed at 8×10, 150 DPI at 16×20, and 100 DPI at 24×30. Nothing about the file changed; only the sheet did.

Turn that around and you get the number you actually want when you are preparing a master: pixels needed = inches × target DPI. Decide the biggest size you intend to sell, pick the DPI your printer works to, and multiply.

Pixels needed, size by size

These are the seven sizes the checker on this site knows, at three common targets. 150 DPI is the floor it enforces; 240 and 300 are what many labs prefer for work viewed close up.

Print size150 DPI (floor)240 DPI300 DPI
5×7 in750 × 1050 px1200 × 1680 px1500 × 2100 px
8×10 in1200 × 1500 px1920 × 2400 px2400 × 3000 px
11×14 in1650 × 2100 px2640 × 3360 px3300 × 4200 px
12×16 in1800 × 2400 px2880 × 3840 px3600 × 4800 px
16×20 in2400 × 3000 px3840 × 4800 px4800 × 6000 px
18×24 in2700 × 3600 px4320 × 5760 px5400 × 7200 px
24×36 in3600 × 5400 px5760 × 8640 px7200 × 10800 px

Worth noticing at the bottom of that table: a 24×36 at 300 DPI is about 78 megapixels. Very few single camera frames reach it, which is why large-format work is routinely printed nearer the floor than the ideal, and why a floor is a more useful test than an aspiration.

What the number does not tell you

Clearing a DPI floor means the file has enough pixels. It does not mean the print will be good.

If the file is too small

Upscaling raises the pixel count without recovering detail that was never captured, so it changes what a preflight check reports without changing what the print looks like. Current upscalers can make an enlargement acceptable, particularly on textured or painterly work, but they are inventing plausible detail rather than restoring real detail. The honest options are to print smaller, to rescan or rephotograph the original at higher resolution, or to go ahead knowingly — after a proof, not instead of one.

Check a file before you pay for a proof

Drop in up to five candidate masters, pick the size you are printing, and see the implied DPI for each, which ones clear the floor, and which one is the best of what you have. It runs entirely in your browser — your artwork is never uploaded, and there is no account.

Open the free print file preflight

Common questions

What resolution do I need to print my artwork?

It depends entirely on how big the print is, because resolution for print is a ratio rather than a property of the file. Implied DPI is your pixel dimensions divided by the physical print size in inches, so a 2400 by 3000 pixel file is 300 DPI at 8x10 and 100 DPI at 24x30. There is no such thing as a file that is high resolution in the abstract. Decide the largest size you intend to sell, divide the pixels by the inches, and check that the number clears the floor your printer works to.

How many pixels do I need for a 16x20 print?

Multiply each dimension in inches by the DPI you are targeting. At 150 DPI a 16x20 needs 2400 by 3000 pixels, at 240 DPI it needs 3840 by 4800, and at 300 DPI it needs 4800 by 6000. The same arithmetic gives you any other size: an 11x14 at 300 DPI is 3300 by 4200 pixels, and a 24x36 at 300 DPI is 7200 by 10800, which is about 78 megapixels and beyond a single frame from most cameras.

Is 150 DPI good enough for a print?

It is a floor rather than a target. The preflight tool on this site checks 150 DPI at the named print size because below that the loss of detail is visible at any normal viewing distance, and because a file that fails a conservative floor certainly fails a strict one. Many labs prefer 240 or 300 DPI for work viewed close up, and some accept less than 150 for large pieces meant to be seen from across a room. Ask the printer you actually intend to use, and treat 150 as the point below which the answer is definitely no.

Can I just upscale the file to reach the DPI I need?

Resampling raises the pixel count and does not recover detail that was never captured, so it changes the number a preflight check reports without changing what the print will look like. Modern upscalers can make an enlargement look acceptable, especially on textured or painterly work, but they are inventing plausible detail rather than restoring real detail. If the master is genuinely short of pixels, the honest options are to print smaller, rescan or rephotograph the original at a higher resolution, or accept the enlargement knowingly after seeing a proof.

Does the DPI setting saved in the file matter?

Not for whether the file is big enough. The DPI field stored in a JPEG or TIFF header is only a suggested print size; it carries no pixels with it, and changing it from 72 to 300 in an image editor without resampling leaves the file identical. What matters is the pixel dimensions and the inches you are printing them across. That is why the checker on this site reads the actual decoded width and height rather than trusting the metadata.

Why does my file pass at one size and fail at another?

Because the pixel count is fixed and the inches are not. Spreading the same pixels over a larger sheet lowers the implied DPI in direct proportion, so a master that comfortably clears a floor at 8x10 can be less than half of it at 16x20 and a quarter of it at 24x30. This is the most common surprise for an artist listing one file at several sizes, and it is why it is worth checking against the largest size you plan to offer rather than the smallest.