Saints by Candlelight · Episode 44

Hannah and the Prayer at Shiloh

A woman who cannot stop crying goes up to the house of the Lord at Shiloh and pours out her heart without making a sound, and an old priest takes her for drunk. The story of Hannah, mother of Samuel, from the first book of Samuel, told straight from Scripture, with a small robe sewn every year.

Audio is being recorded. The full script is below.

What's true in this story

Who
Hannah, Elkanah, Peninnah, Eli the priest, the child Samuel
Tradition
Catholic and Orthodox; Hannah is remembered by both traditions, and her song is the model for the Magnificat of the Virgin Mary
Scripture and history
Hannah's story is told in the first book of Samuel, chapters one and two, which Catholic and Orthodox Christians read as Scripture; the date of the shrine at Shiloh is not settled, and we do not try to settle it
Legend
none
What we invented
Hannah's thoughts on the road, the smell of the bread, the talk between Elkanah and Hannah at the table, the sound of the pilgrims and the small jokes are our own invention; what happens, and what is said by Hannah, Elkanah and Eli, follows the text
Feast day
no fixed feast of her own that we can vouch for; Hannah is remembered in both traditions among the righteous of the Old Testament, and her story is read in the Catholic Church in the Mass readings of ordinary time

Sources

Full script

There is a road, and on the road, once a year, in the early autumn, there is a family walking very slowly uphill.

There is a husband in front, who is carrying a bag of flour and a sheep, and looks as though he would like to carry something heavier. There is a second wife behind him, with her children running round her feet like hens. And there is a first wife at the back, who has nobody running round her feet at all. She walks a little apart. She is not, I think, walking slowly because she is tired.

And that is where we start tonight. With the one at the back.

Hello, and welcome to Saints by Candlelight, stories of saints, angels and patriarchs from the Catholic and Orthodox traditions, told for bedtime. These episodes are written by an AI and read by a synthetic voice, and they try very hard to be faithful. Tonight's story is about Hannah, from the first book of Samuel, which Catholic and Orthodox Christians read as Scripture, and we will tell it as it is told there. A few of the small conversations, and the smells and the weather, are our own invention, told in the spirit of the original, and we will say at the end which parts those were. So get comfortable. Dim the lights. And let's begin.

Let us start with the hill country, because that is where the family lives.

There was a man named Elkanah, the book says, from a town in the hill country of Ephraim. He was a decent man, as far as we can tell. He had two wives, which was allowed in those days, though the book does not make it sound like an easy arrangement, and I think we can say that without arguing with anyone. One wife was called Peninnah, and she had children, a good many of them. The other wife was called Hannah, and she had none.

Now, in a village, in those days, to have no children was a very heavy thing. It was not only a sadness. It was a worry about who would look after you when you were old, and who would carry on the name. And it was something everyone could see, every day, at the well, and at the market, and on the road.

And Peninnah, the book says, used to make the most of it. She would provoke Hannah, it says, again and again, to make her miserable, because the Lord had closed her womb. I am not going to give you the things she said. You can guess them. I would only say that the book does not tell us this to make Peninnah a monster. It tells us because it wants us to know exactly how heavy the road was.

Once a year, the whole family went up to Shiloh.

Let me give you the road, because the road is where the story lives for most of the year, even though it is only one week of it.

It was a walk of a day or two, uphill, from the hill country toward Shiloh, along a track that was dusty in the autumn and slippery in the rain. There were other families on it. You would pass a man leading a bullock, and a grandmother riding on a donkey with a bundle on her lap, and children who had been told not to run ahead and were running ahead. And at every well, somebody would stop to say, is that Elkanah's family? And somebody would answer, yes. And somebody would look, and look away.

That is the thing about a small country. Everybody knows whose house has the cradle in it and whose has not. Hannah did not need to be told. She could tell by how people did not look at her.

So she walked at the back, and she counted the stones. I am inventing that, and I will say so at the end. But I would not be surprised. It is the sort of thing you do when you are looking at the ground so that nobody can see your face.

And then, at the top of the last rise, there was Shiloh.

Shiloh was a town in the hills, and in those days it was the place where the tent of the Lord stood, the holy tent, with its altar, and its priests. People came from all over the land to worship there and to make their offerings, and then, in the way of the old festivals, they would sit down together and eat. It was a holiday. It had bread in it, and roasted meat, and the sort of noise you get when a great many families meet who have not seen each other since last year.

And at the meal, Elkanah did what a husband did. He gave out the portions. To Peninnah, a portion for her, and a portion for each of her sons and each of her daughters. And to Hannah, the book says, he gave a double portion. Because, it says, he loved her, though the Lord had closed her womb.

I think that line is worth stopping at. It is a small line. It says that a man, who could not fix what was wrong, did the one thing he could. He gave her the larger share, and he wanted her to know why.

It did not fix it. The book is honest about that. Peninnah went on provoking her, year after year, every time they went up to the house of the Lord. And Hannah wept, and would not eat.

Let me slow down, and sit with Hannah at that table for a moment, because I think we go past it too fast.

Imagine the noise. Imagine a long mat laid out on the ground, with bowls of lentils and flat bread, and a great haunch of the festival meat, and the cousins reaching across each other. Imagine Peninnah's children, a good many of them, each handed a portion, and each one counting, quite openly, whose was bigger. And Hannah, with a double portion in front of her, which ought to have been a kindness, and was, and which every person at that table could see.

Do you know, I think that may have been part of the trouble. A double portion is a kind gift in private. At a public table it is a sign, and everybody can read it. It says, we know what you are missing, so here is a little extra. It was meant with love, and I do not think Elkanah could have done any better, and it still stung.

That is one of the things the book is honest about. Love does not always arrive in a shape that fits. Sometimes the person who loves you most hands you the right thing in the wrong way, and you still have to say thank you, and you still cannot eat it.

Elkanah noticed, of course. A man can pass a good many things, but he notices when his wife will not eat the bread.

"Hannah," he said, and I imagine he said it quietly, so the others would not hear. "Why are you weeping? Why will you not eat? Why is your heart so sad?"

And then he said the thing that the book gives us, and which I think every husband in the world has said at least once, with the very best intentions.

"Am I not more to you than ten sons?"

Now, I want to be fair to Elkanah. He meant it kindly. He meant, I am here, I am yours, I love you, and surely that is something. And it was something, it really was. But it was not the thing she was weeping for, and I think they both knew it. So she did not answer him. She just stood up from the table.

The book says she stood up after they had eaten and drunk in Shiloh. And she went, by herself, toward the house of the Lord.

Let me tell you where she went, because the book is careful about it.

At the door of the tent, on a seat, was a man named Eli. Eli was the priest. He was an old man by then, and he sat by the doorpost, the way an old man will, where he could see everyone who came and went. And Eli, I should say, would not have been a name that people remembered for being quick. He was a good man, and a priest, and tired.

And up the path to that door came Hannah, deeply bitter, the book says, and she prayed to the Lord and wept and wept.

I imagine that when she said it, the noise of the festival was going on all round her. Somebody was laughing, somewhere. A child was being scolded. There was a smell of roasting meat drifting across the courtyard from the meal she had just left. And in the middle of all that, a woman by a doorpost, with her lips moving, and nothing coming out.

And here is the thing I like best about the whole story.

She made a vow.

She did not just ask. She did not stand there and say please, please, please, which would have been perfectly all right. She said something very particular. She said, O Lord of hosts, if you will only look on the misery of your servant, and remember me, and not forget your servant, but will give your servant a male child, then I will set him before you as a gift, all the days of his life. And no razor shall touch his head.

Let me tell you what that means, because it is easy to miss. In those days, there were people who were set apart to the Lord in a special way, who let their hair grow long and did not drink wine, and who were called Nazirites. It was a sign. It meant, this life is given. And Hannah is saying, if you give me a son, I will not keep him. I will give him back.

She is asking for the one thing she wants most in the world, and in the same breath she is promising to give it away.

I do not think she knew yet what that would cost. I think she meant it with her whole heart, and I think that is how we know it was a real prayer.

Now, she prayed for a long time. And while she prayed, Eli was watching her mouth.

Let me stop a moment, and say something about Eli, so that you can be fair to him, as Hannah was.

He was the priest at Shiloh, and he had been the priest for a very long time. He had seen the festivals come round forty times or more. He had seen the families arrive, loud and cheerful, with their sheep and their flour, and he had seen, I am quite sure, a great many people who had had one cup of wine too many at a feast. It is not a stupid thing to think, when you have seen that a hundred times. It is only a thing you think without looking.

The book is not unkind to him. It does not tell us this story to make him foolish. It tells us because most of us, at some point, have been Eli at the doorpost. We have looked at somebody in trouble and seen only what we expected to see. The good news in the story is not that Eli was never wrong. It is that when he was told, he heard. That is a rarer thing than never being wrong, and it is worth having.

Because here is the odd thing. Hannah was praying silently. Her lips were moving, the book says, but her voice was not heard. She had so much to say that she could not say any of it aloud. It was all inside, and only her lips moved, as though she were speaking to someone very close by.

And Eli, who had seen all sorts of people come to that door, looked at a woman weeping and muttering, with her lips going and no sound coming out, and decided that she was drunk.

It was a festival, after all. There was wine. It was not an unreasonable thing to think, if you did not look closely.

"How long will you make a drunken spectacle of yourself?" he said to her. "Put away your wine."

I want you to imagine that for a moment. You have just spent the most honest quarter of an hour of your life. You have said the thing you have never said to anyone. And an old man in a doorway tells you that you are drunk.

And Hannah did not shout. She did not run off. She did not even, as far as we can tell, get angry. She answered him, the book says, and the word it uses is quiet.

"No, my lord," she said. "I am a woman deeply troubled. I have drunk neither wine nor strong drink. I have been pouring out my soul before the Lord. Do not take your servant for a worthless woman. I have been speaking out of my great anxiety and vexation."

And here is the best part. Eli heard her.

I think that is the turning of the whole story. He had made a mistake, and she told him so, gently, and he listened. He looked at her again, properly this time, and he saw what he had missed. And the old priest, who was not quick, but was good, said to her, "Go in peace. The God of Israel grant your petition that you have made to him."

And now we come to the quietest thing in the story. It is one line.

The book says, "Then the woman went her way and ate, and her countenance was no longer sad."

Nothing had happened yet. Do you see? She had not been given a child. There was no sign, no voice from the clouds, no angel. She had been heard, and she had been blessed by an old priest, and she had said the thing aloud to the one who could do something about it. And she went away, and she ate her supper.

Whatever else prayer is, I think that is one of the things it is. You do not always come away with the answer. Sometimes you come away able to eat.

They rose early the next morning and worshipped before the Lord, and then they went back home, to the hill country, to the town of Ramah. And Elkanah knew his wife, the book says, and the Lord remembered her.

I will not say more about that than the book does. It says that in due time, Hannah conceived, and bore a son. And she called his name Samuel.

The book gives a reason for the name, and the reason is this. She said, "I have asked him of the Lord."

Now, think about the months in between.

The book passes over them in a line, as books do. But they were months. There was a winter, I suppose, and a spring, and the barley harvest, and the long hot weeks of summer with the sheep on the hill. And in the middle of all that, in a house in Ramah, a woman who was expecting a child and was not quite sure she was allowed to be happy about it.

Because she knew. She had told God what she would do. And I think that is a thing worth noticing: she did not love the child any less for knowing. She loved him more, I think. Everything she did for him, she did knowing that it was borrowed time, and so she did it with her whole attention. She learned the weight of him. She learned the particular way he yawned. She had, you might say, a long time of looking very closely.

That was the first year. The next year, when the whole family went up to Shiloh again, to offer the yearly sacrifice and to keep the vow, Hannah did not go.

The book says so, plainly. She said to her husband, "As soon as the child is weaned, I will bring him, so that he may appear in the presence of the Lord, and abide there for ever."

Now, I want you to think about that. In those days, a child was nursed for a good while, a couple of years or more. And for all that time, Hannah had her son. She had him on her lap. She had him in the crook of her arm on the road, and at the well, and at the market, where everyone could see him. And she knew, the whole time, that she had promised him away.

Her husband, to his credit, did not argue. "Do what seems best to you," Elkanah said. "Wait until you have weaned him. Only, may the Lord establish his word."

And at last the day came.

I wonder what she packed.

The book tells us about the bull, the flour and the wine, which was the offering. But I think there must have been something else in the bundle. A cloth, perhaps, that smelled of home. Perhaps a small wooden toy, if they had such things in the hill country, and I expect they did. We are not told. It is only the sort of thing a mother does the night before, when she cannot sleep, and the lamp is low, and the child is breathing beside her. I am inventing it, and I will say so at the end. But I would be astonished if she had not.

And I wonder what she said to him on the road. Whether she told him where they were going. Whether he was old enough to ask. The book does not say. It says only that they came to the house of the Lord, and that the child was with them.

The book says that when she had weaned him, she took him up with her, along with a three-year-old bull, an ephah of flour, and a skin of wine, and she brought him to the house of the Lord at Shiloh. And the child was young.

I will not make that part up. It does not say how young, only that he was a child. It was a small thing to walk up a hill.

They killed the bull, and they brought the child to Eli. And Hannah said, and I think she must have been smiling, though the book does not say so, "Oh, my lord! As you live, my lord, I am the woman who was standing here in your presence, praying to the Lord. For this child I prayed, and the Lord has granted me my petition that I made to him. Therefore I have lent him to the Lord. As long as he lives, he is lent to the Lord."

And the book says, simply, "And they worshipped the Lord there."

That is how it ends. Not with a speech. Not with an argument. Just with a family on a hillside, and a small boy, and a woman who has kept her word.

And then, because she could not say anything else, Hannah sang.

Her song is in the second chapter of the book, and it is one of the great songs of the whole Bible. I will not read you all of it. But I will tell you how it begins.

"My heart exults in the Lord," she sings. "My strength is exalted in my God. My mouth derides my enemies, because I rejoice in my victory."

And it goes on. There is no one holy like the Lord, no one besides him, no rock like our God. The bows of the mighty are broken, but the feeble gird on strength. Those who were full have hired themselves out for bread, but those who were hungry are fat with spoil. The barren has borne seven, but she who has many children is forlorn.

The Lord makes poor and makes rich. He brings low, and he also exalts. He raises up the poor from the dust, and lifts the needy from the ash heap, to make them sit with princes.

Do you hear it? She is not only singing about herself. She starts there, with her own small private joy, and it opens out into something very large. It becomes a song about everyone who has ever been overlooked.

And a thousand years or so later, the Christian tradition remembers, there was another woman, in the hill country of Judea, who was expecting a child. And she sang a song that sounded very much like it. "My soul magnifies the Lord," she said, "and my spirit rejoices in God my Saviour." The Gospel of Luke gives us the words. And Catholic and Orthodox Christians have sung them every evening ever since, and have heard in them, among other things, the voice of Hannah.

Then Elkanah went home to Ramah. But the boy, the book says, remained and ministered to the Lord, in the presence of Eli the priest.

And that would be the end of the story, if the book were not so kind. But there is one more small thing in it, and it is my favourite.

And what was it like, for the boy?

The book says he ministered to the Lord before Eli, and we know from the pages that follow that he was looked after, and that he grew. He slept, in time, in the house of the Lord, near the ark of God, and the book will tell you that on another night. He learned where the lamps were, and when to trim them. He learned the names of the people who came, and the order of the sacrifices, and the quiet that settles over a holy place just before morning.

And he had, I think, a mother who came every year. That matters. A child who has been given away is in a very different place from a child who has been forgotten. Samuel was never forgotten. Every autumn, the road at Shiloh would fill, and somewhere in the crowd there would be a woman with a little robe over her arm, looking for a boy who had grown out of last year's.

Every year, the book says, his mother used to make for him a little robe, and take it to him when she went up with her husband to offer the yearly sacrifice.

A little robe. Every year.

Think of that. Every year the boy was a little bigger, and every year the old one was too small. And somewhere in the hill country, through the winter, a woman sat by a lamp, with a needle, making a robe for a child she could not see, and guessing at his size. And every autumn, she carried it up the hill, and put it on him, and stood back to see how he had grown.

She had given him away. And she had never, for one year, stopped being his mother.

The book says, too, that Eli blessed Elkanah and Hannah, and said, "May the Lord give you children by this woman, for the gift that she lent to the Lord." And the Lord visited Hannah, and she conceived and bore three sons and two daughters.

The woman who could not eat, and whose heart was so heavy that she could not make a sound, had a house full of children in the end. And the boy who grew up in the tent at Shiloh, in a little robe, was called, one night, by a voice in the dark. But that is another story, and some of you have heard it already.

Now. Notes for the curious.

Everything that happens in tonight's story follows the first book of Samuel, chapter one, and the first eleven verses and the last few verses of chapter two. The household of Elkanah and his two wives, Peninnah's provoking, the double portion at the meal, Hannah's weeping and not eating, Elkanah's question about the ten sons, the prayer at the doorpost of the tent, the vow and the razor, Eli's mistake about the wine, Hannah's answer, Eli's blessing, her going away and eating, the birth and the naming of Samuel, her staying home until he was weaned, the bull and the flour and the wine, the bringing of the child to Eli, her song, the little robe each year and the later children, are all in the text. Her song echoes in the Gospel of Luke, chapter one, the Magnificat.

What we invented is small. Hannah walking apart at the back of the road, counting stones, the talk at the wells, the noise of the table and the children counting portions, the thoughts about Eli at the doorpost, the months of waiting, the bundle packed the night before, the boy trimming lamps, the speed of the walk, the quiet voice of Elkanah at the table, the smile on the hillside, the lamp and the needle through the winter, and the little jokes, are our own. We have also left out the later chapters of Eli's household, which are in the text and are not for bedtime.

Two things are worth being careful about. First, the vow. The text tells us that Hannah vowed her son to the Lord and that Elkanah agreed; it does not offer her vow as a pattern for every parent, and we should not make it one. Second, the dates. Scholars place the shrine at Shiloh and the age of Samuel at many different times, and we do not try to pick one.

Hannah has no feast day in our notes that we can vouch for, but she is remembered in both traditions among the righteous of the Old Testament, and her story is read in the Catholic Church in the Mass readings of ordinary time. Neither Church holds her up as anything but what the book says she was: a woman who prayed.

That's the story of Hannah for tonight. Thank you for listening to Saints by Candlelight. If you enjoyed it, share it with someone who could use a gentle story at the end of a long day.

And here is a blessing. May you be heard, tonight, by someone who will look at you twice. May you have, somewhere, a double portion, from someone who cannot fix it but wants you to know why. May the thing you cannot say aloud be said, and may you go away and eat your supper. May you keep your promises when they are costly, and may a little robe be waiting, every year, for whoever you love and cannot see. May the Lord who remembered Hannah remember you.

Goodnight, and God bless.

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